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This email address is being protected from spambots. You need JavaScript enabled to view it. is Associate Professor English at Rutgers University. Douglas Jones works on (African) American literatures of the eighteenth and nineteenth centuries, drama and performance studies, and cultural histories of slavery in British North America and the US. His current research agenda is mainly concerned with the foundations and forms of democratic individuality in American thought, especially Frederick Douglass’ elaborations that emerged from his absorption of slave culture and Transcendentalism. As an editor, Professor Jones is in the midst of two projects: a special issue of Modern Drama called “Slavery’s Reinventions” that will offer accountings of the ubiquity of slavery in drama and theatre of the long twentieth century; and a co-edited volume tentatively titled “Time Signatures” that will consider the many ways in which (racialized) performance keeps time and theorizes temporality.

Professor Jones is the author of The Captive Stage: Performance and the Proslavery Imagination of the Antebellum North (Michigan, 2014), which traces how proslavery thought shaped the development of several performance and literary cultures of the free antebellum north, including early blackface minstrelsy, reform melodrama, and abolitionist discourse. His articles and essays have appeared or are forthcoming in Early American Literature, J19: A Journal of Nineteenth-Century Americanists, Theatre Survey, TDR/The Drama Review, and ESQ: A Journal of The American Renaissance, among other scholarly journals, as well as in a wide range of edited collections. He serves on the Executive Committee of the American Society for Theatre Research (2016-2019).

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